Music

Some people knit, do their gardens or spend hours in clothes shops. I can’t knit for toffee, manage to kill more plants than nurture, and would rather spend time and money in a book shop than buy a dress. Sorry, but that’s me.

Anyway, I do like to sing, to fiddle about on my guitar or my piano, and write songs and would much rather be doing that than anything else when not working on stories.

I’ve been writing songs since Lord knows when. Sometimes the songs are tied in with school visits and working with primary aged children. The songs can be about mini-beasts, or brick trains, about Romans or Egyptians. Anything really. While in schools I like to invite pupils to work in groups and produce more verses to a song I’ve started. It’s good fun, we all learn something new about rhyme and rhythm, and enjoy singing the song we’ve made together.

At other times the songs are just for me. They tell might tell stories, they might make a comment about life, they might be love songs. Who can tell what’s going to happen until the first draft’s finished? Not me, certainly. Maybe that’s what’s so exciting about song-writing. That unknown element.

Having other people around me who are much better musicians than I could ever be, is pretty useful. I can take my songs and ideas to them and see what happens next.

What happens next is sometimes a recording. My first album, No Deals, No Promises came out in 2007 and it was such fun going into a recording studio and having some of my words and tunes made into something to be proud of, by people who know how to make that happen. Those people, Colin Bradshaw, Tony Davis, Stuart Hardy, Jim Hornsby, Doug Morgan, Mike Swindale and Rob Tickell, are still speaking to me, so obviously, it wasn’t all bad. Anyway if you want to listen to some of that, give it a go

No Deals No Promises

ndnp

The second album Terms and Conditions will be out in a few months time and that’s the result of three of us working together, to produce new songs. Writing like that can be tricky, but we’re all delighted with the end product. And still like each other. So that’s all right too. By the way the other team members are Colin Bradshaw and Tony Schofield.

We’ve got all sorts of things to complete before the album comes out, but once again, if you want to have a listen when it’s available, please do. There are more details about making that album later.

I’ve sung in a quite a few bands over the years and the current outfit is so new we’re only just going out to do gigs. We’re called Keeping Company with Celia Bryce. We’ll be playing stuff off both albums as well as songs we’ve always loved performing, and new songs by friends who are song writers. There’ll be updates on where we’ll be and when, on this page.

There’s some more info on Keeping Company, which has been put together by Colin Bradshaw, so read on.

Keeping Company with Celia Bryce:

Keeping Company are Celia’s backing band. They consist of the following

Tony Scofield:

Tony plays guitar and provided the tunes for many of the songs on the second album. He appears to have an endless supply of melodies and can sometimes just drop something as good as Corporal Morris into the frame with no warning. On the album, he plays electric, acoustic, twelve-string and bottleneck guitars, banjo, mandolin and harmonica. For live work, much to his chagrin, we limit him somewhat.

Colin Bradshaw:

Colin plays bass, various acoustic guitars & sings harmony with both the live & recording band. He also contributes to the song-writing process often by finding a ‘hook’ to add to the songs. He doubles as the band cook & driver.

Eddie Harris:

Eddie ‘looks like a devil but sings like an angel’. He has been the drummer and high harmony singer with Celia in the Katy Freeway for more years than either would care to remember. He played on some tracks on the album and is our main live drummer.

Lee Cramman:

When just a callow youth, Lee played keyboards with Celia & Colin in the Bill Stickers Band and for many years with the Katy Freeway. Escaping the responsibilities of fatherhood, he has rejoined them in Keeping Company.

Doug Morgan:

Doug has been the main drummer on both Celia’s albums. Somehow, through our collective incompetence, he never got a credit on the original CD cover but we’ll make sure he gets it on the 2nd one. Due to a hectic life as a pro drummer Doug rarely gets the chance to play live with us.

Tony Davis:

Engineer, co-producer, keyboard player & harmony singer, Tony has been an integral part of the Keeping Company recording band. Young children & a bad back means he is unlikely to go on the road with us.

Gary Young:

Gary arranged the brass parts, managing to fend off some of Colin’s more outlandish suggestions and played trombone, tenor horn, euphonium and explained all about brass band drumming.

Emma Bartch:

Emma played ensemble and solo cornet.

Elliot Gray:

The third generation of the Young family, Elliott played trombone.

Lucy Stadward & Barbara Nortyn:

Lucy & Barbara added backing vocals and handclaps to the album

Martin Eccles:

Recorded the sounds of the crowds and stood in a pub to sketch some of us.

John France:

John Played pedal steel guitar on St Cloud